Wow! These specs are even better than I’d hoped for!
According to digital Photography School:
Here’s what Canon DSLR fans have been waiting for – the new Canon EOS 5D Mark II DSLR.
This 21 megapixel DSLR (CMOS full frame sensor) has an ISO range of 50 to 25600, HD movie recording (seems to be the way we’re going), Live View framing of images on it’s 3.0 inch LCD (920,000 pixels), burst mode of up to 3.9 frames per second, DIGIC IV processor and sensor dust reduction.
This beauty will set you back $2699 USD when it hits stores in November this year.
I’ve included the news release from Canon announcing the Canon EOS 5D Mark II DSLR below.
PS: also announced today by Canon is a new Canon 24mm f/1.4 II USM lens. Fast, wide angle which has gone through an update from its previous version.
(dPS: Canon EOS 5D Mark II)
And, from the Canon site itself:
The newly designed sensor is ultra-sensitive, too, empowering you to explore creative opportunities in challenging environments thanks to a wide ISO range of 100 to 6400 at the standard setting. ISO expansion extends coverage from ISO 50 to an astounding ISO 25600. Shooting with auto ISO is also nicely responsive with a comfortable ISO range of 100 to 3200. Whether shooting outdoor scenes at night or charmingly lit interiors, you can now capture all the subtle nuances of natural lighting through the unencumbered joy of hand-held, flash-free shooting.
Awesome. Just awesome. I was aware of most of the specs from the pre-release buzz, but the HD movie mode is new to me. What do you think?
My previous posts:
All of these are excellent scripts, and many of them are available in the Better Flickr extension from Gina Trapani at Lifehacker, but my favorite by far is the Flickr Follow Comments plugin which makes that atrocity of a page into something sane and manageable.
Flickr, are you listening? The “Comments You’ve Made” page sucks hard. (Otherwise, I love Flickr to death, and everything else is somewhere in the range of pretty good to awesome.) 🙂
This post on Useful Flickr Userscripts has been submitted by Martin Gommel. You can see his work at his is a Flickr account and his blog KWERFELDEIN.
Userscripts are add-ons for the Firefox web browser, which dynamically enhance the communication and visualization of certain websites.
To be able to use these scripts you need to have installed greasemonkey on Firefox – this enables and manages the userscripts. If you have greasemonkey in Firefox you can install and use these userscripts instantly.
(via 10 Really Useful Flickr Greasemonkey Userscripts)
Another excellent article from digital Photography School, about how to remove dust spots from your photos. I’m going to need to try this out on my own photos, especially after that full day of shooting with a dirty sensor (see the before/after examples here: https://blog.wolffmyren.com/2008/07/07/before-cleaning/ and here: https://blog.wolffmyren.com/2008/07/07/after-cleaning/)
Dust. The eternal enemy of a digital camera. When you shoot pictures with a digital SLR camera long enough, you will come to know the pain that dust can cause. For some it’s a minor annoyance. For others, it costs time and money attempting to salvage vital images.
In this post Peter Carey shares some tips on how to remove dust spots from multiple photos.
With advancements in DLSRs has also come advancements in Photoshop tools to remove dust. My favorite for dust removal, partially because of its price, is Photoshop Lightroom. While it is a scaled down version of the full blown Photoshop, it is perfectly suited to remove 90% of the dust I encounter.
Why is dust such a problem? Take a look at the picture on the left. Do you notice the small black spots in the sky and one big spot on the left side in the mountain? Those are not UFOs and that is not a mining tunnel. It was dust adhered to the sensor, casting a black shadow on the sensor when the shutter was activated. You can’t get back the data that is covered over by the shadow, but you can get creative and repair the damage depending on the dust location. When those dust spots are in the same location on each image, you’re in luck as there is a fairly easy method for multiple photo dust spot removal. (Note: the instructions are given using a PC version of Lightroom 1.4. Mac instructions vary only slightly if using a single button mouse)
(continue reading via: How To Remove Dust Spots From Multiple Photos in 4 Steps)
Another excellent article from the digital Photography School blog about how to properly archive your photos.
The biggest nightmare of every photographer is the thought of catastrophic loss of their photographs. In the days of film, options were limited and often serious photographers would keep their negatives and slides in fire proof safes or bank safe deposit boxes. Even still several great photographers have had their work taken from them due to fire, water damage and even sub-grade storage supplies. Digital photography provides an additional level of complexity to photographers as they look to keep their photographic work safe. Now in addition to fire and water damage there is the risk of file corruption, failed drives and file format obsolescence. With increased risk comes the responsibility to be diligent in heading off such catastrophes with a solid backup plan. Below are 5 steps you can take to minimize risk of losing your digital photos.
1. Immediately back-up your photos to DVD after off loading them to your computer from your compact flash cards
Here is where procrastination can get the better of you. I have known several people who have accidentally deleted files from their compact flash cards before backing their photos up or deleted files from their computer with out having a backup. These days it’s not too hard to find a deal on a 100 disc spool of DVDs. Have one on hand and take the extra 15 minutes to burn a disc.
(continue reading via 5 Ways To Never Lose Your Photos)
Yet another excellent article from dPS, this time about lenses:
What is a Prime Lens?
A prime lens is a lens that has one focal length only. They come in all focal lengths ranging from wide angle ones through to the longer telephoto ones.
What is a Zoom Lens?
A zoom lens is a lens that has a range of focal lengths available to the photographer in the one lens. These have become increasingly popular over the past few years as they are obviously a very convenient lens to have on your camera as they mean you can shoot at both wide and longer focal lengths without having to switch lenses mid shoot.
As you surf around different camera forums you’ll find people who argue strongly for both prime and zoom lenses. Each have their own fans and each will pull different arguments out about them. Let’s look at some of the pros and cons Zoom and Prime lenses:
(continued via: Prime vs Zoom Lenses – Which are Best?)
Excellent tutorial on a fundamental concept of photography from digital Photography School:
In this tutorial Natalie Norton explores the topic of Aperture.
A few months back I wrote an article here at DPS that created a bit of a stir:
4 Reasons Not to Write Off Shooting in Automatic.
I expected to get a lot of naysayers scolding me up and down and all around. I did get a few of those, but what I didn’t expect were the literally dozens of emails (not to mention comments on the post itself) from people sincerely thanking me for taking the pressure off, for helping them see that great photography is great no matter how it’s captured.
I stand by everything that I wrote in that post. I particularly maintain that photography should be FUN and rewarding and that focusing too much energy on the technical aspects of it shouldn’t detract from that.
HOWEVER one can’t argue with the fact that shooting in Manual does give you more control and greater creative freedom. Period. End of story.
So on we go to Manual settings: I know this topic has been discussed a ZILLION times over, and that it’s as boring as dry toast, but we’re going to go at it again. . . in layman’s terms.
(continue reading via: Moving Toward Manual Settings: Understanding Aperture)
Great post about how to effectively comment on Flickr photos. (I’ll admit, I’m guilty of the two-word-comment myself, so this is good advice for me, personally.)
One of the ten things I hate about Flickr is people who don’t know how to comment on photos. In a recent post to my blog, I lamented the number of comments I receive on my photos which consist of only one or two words: “Frankly, I don’t care if you think my photo’s “Awesome!”, I care even less if you think it’s a “Cool photo”. I’ve put a lot of work into it, I’d genuinely like to know what you think of it and why. If you’re going to comment, why not take the extra 30 seconds, engage your brain, and say something insightful.”
In the lively discussion that followed, it occurred to me that these commenters may not just be lazy. Some said they don’t feel confident enough, or have enough knowledge to feel worthy of making a comment. Others said they have a hard time expressing their feelings. And some simply don’t know what to say. I want to help fix that.
Even though a discussion about Flickr prompted this guide, and the examples I use are all from Flickr, it applies equally well to any online photography or art community, where people comment on the works uploaded by others.
(continued at digital Photography School)
Great list from digital Photography School’s blog:
Last week I asked some DPS readers who follow this blog via Twitter (our account is here) to share some of their photography tips with us.
The catch was that they had to do it in 140 characters or less (the limit that Twitter allows per message). Here’s a collection of 20 of their photography tips:
- “I would recommend any serious photographer a Tripod. It’s indispensable for any photography & most if your hands won’t stay still” – maniar
- “don’t spend your time looking at the lcd screen…you end up missing fantastic moments. The pictures will still be there later!” – burks
- “Shoot in RAW mode if your camera has it. Offers so many more opportunities for editing than shooting in JPEG” – PattyHankins
- “don’t just stand there. Instead of moving the camera, move yourself…” – XmasB
- “Always remove the lens cover.” – fireeducator
- “Get closer to the object.” – Celebtur
- “Expensive equipment don’t make great photos. Great photographers do.” – quicklunarcop
- “Fill the Frame” – ebradlee10
- “shoot the magic hours(!!); remember the exposure triangle; look for a new/unique angle on your subject. :-)” – laepelba
- “Keep taking photos, look at your photos, then take more photos. Learn from your mistakes and don’t be afraid to experiment.” – NeilCreek
(continued at digital Photography School)
Another great post from the digital Photography School Blog…
As previously noted the best photo tip I ever received had to do with sharpness and up until the time in which I received this tip I had little understanding of how to consistently get sharp photos. I’ll never forget when I was a teenager I borrowed my mothers film SLR and ventured out into Yosemite valley while on a family vacation to photograph flowers, the landscape, etc. A couple weeks later when I got the film back almost all my photos were out of focus. Young and easily frustrated I cast photography to the wind for several years. These days digital cameras simplify not only your ability to see what you’re focusing on, but they also give you an immediate view of your photo enabling you to move on to your next photo or to try again. As great as these features are consistently getting sharp photos can still be a challenge.
(continue reading at dPS: The Secret to Ultra-Sharp Photos)
Excellent article from the digital Photography School blog about how to photograph fireworks displays:
(photo via hupaishi)
Do you want to know how to photograph fireworks? With 4th July just days away I thought I’d refresh this article in which I give 10 Fireworks Photography tips to help you get started.
Fireworks Displays are something that evoke a lot of emotion in people as they are not only beautiful and spectacular to watch but they also are often used to celebrate momentous occasions.
I’ve had many emails from readers asking how to photograph fireworks displays, quite a few of whom have expressed concern that they might just be too hard to really photograph. My response is always the same – ‘give it a go – you might be surprised at what you end up with’.
My reason for this advice is that back when I bought my first ever SLR (a film one) one of the first things I photographed was fireworks and I was amazed by how easy it was and how spectacular the results were. I think it’s even easier with a digital camera as you can get immediate feedback as to whether the shots you’ve taken are good or not and then make adjustments.
Of course it’s not just a matter of going out finding a fireworks display – there are, as usual, things you can do to improve your results. With 4 July just around the corner I thought I’d share a few fireworks digital photography tips:
(continue reading at digital Photography School Blog)
Great post from digital Photography School about how to keep yourself motivated in your photographic endeavors:
We all have those days. Days where you know you want to do something with your camera or photographs, but the motivation tank is on Empty. I’ve been having some of those days recently and came up with a list to help pop me out of the rut and back to being productive. This list is by no means exhaustive and I’d appreciate any additions that work for you, in the comments section.
TIP #1 – Go for a walk
I know, I know. It’s one of the hardest things to do when you’re not feeling motivated. Even worse if it’s raining outside. But getting your bum off the chair or sofa and out the door is a great first step. It is a lot easier to just keep staring at the computer screen and letting your analytical mind wander, sometimes feeling like you’re accomplishing something, but getting your blood pumping and elevating your heart rate will help activate your creative mind. It doesn’t need to be a long or fast walk. Just 15 minutes will be enough to get the juices flowing.
It also helps because it removes you from an environment that is obviously not helping you become creative at the moment. I like this method because it requires no special equipment, clothes or location. Everyone has ‘outside’ out their front door. Just lace up some shoes or boots and get your heart going!
(via 5 Quick Tips To Keep You Motivated)
Great article from digital Photography School about HDR photography:
There are numerous discussion on HOW to make HDR images in our forums but one recurring discussion that I’m seeing around the web is over whether it’s a form of photography that people like. Some people love the effect and others hate it. Some say it’s not ‘pure’ photography others ask what pure photography really is? Some call it ‘fake’ and others see it as a thing of beauty.
I thought it’d make an interesting discussion. Do you like HDR images? What do you like or dislike about them?
(via digital Photography School: HDR Photography – What Do You Think About It?)
The following guest post on composition for portrait photography was submitted by Christina Dickson, a portrait photographer and photography instructor from Portland, Oregon. Her work can be seen at: www.christinanicholephotography.com.
1. Fill the frame with your subject
A portrait is about the person, so don’t be afraid to zoom in close! Remember that zooming in does not mean capturing only face shots. You can also capture “tight”, close up shots of your subject sitting on a stool or leaning into a tree.
2. Keep eyes in the upper third
This is the most natural spacing for a portrait. Try not to divert from this rule unless you are deliberately creating tension. Another exception of this rule is when a subject is full-bodied in the bottom third of the frame.
3. Use framing to concentrate all attention on your subject
Rather than eliminate the environment, use it! Doorways, arches, windows, gazebos are all creative solutions that allow for maximum subject focus and heightened visual interest.
(continued via digital Photography School)
What should a Photographer do when bad weather strikes? Peter Carey suggests 7 options and invites you to add your own.
I live in Washington State and it’s winter, which means it rainy and dreary most of the time, with some sun breaks. Right now the weather is telling me it’s a good day to build a fire and stay indoors. It’s a day where I just don’t feel like getting out to photograph, yet I still want to do something productive in the realm of photography. If the weather has you down and you just don’t feel like taking more pictures of your cat indoors, try out some of these suggestions to help when the sun starts to shine again.
1. Clean Your Gear
Admit it, you’re either a constant clean freak or you let things lapse. Most people fall into one of those general categories. If you are the former, then you may joyfully skip on to the next suggestion, but if you don’t clean your gear that often, now is a good time to give it the once and twice over.
(via digital Photography School)