This sounds awesome. I’m gonna have to pull out my SD450 and give this a shot…pun intended. 😉
Remember the Canon Hacker’s Development Kit, aka CHDK—the open-source firmware that turns your point-and-shoot into a super-camera? Here’s how bug enthusiast Tim used CHDK and DIY ingenuity for better macro results from his point-and-shoot.
Spending more money was off the table for Tim’s spending budget, so rather than pony up for some new, expensive equipment, he turned to the wonder of open source. His setup is a little heady if you’re not familiar with the subject, but Tim used a reverse mounted lens technique along with the focus bracketing feature of CHDK. The results—one of which you can see in the screenshot—speak for themselves.
via Digital Photography: Take Impressive Macro Photographs with Your Point-and-Shoot and CHDK.
It has long been only a prototype. We first heard about at last year’s PMA trade show and were able to see a wooden version of it at Photokina in September 2008. But now, it’s official. Fujifilm is weeks away from releasing its GF670 Professional medium format film camera. Here is our full article about it.
Outside of Japan, the camera should be released under the Voigtlander Bessa III 667 name, which Cosina will distribute.
(via 1854, the blog of the British Journal of Photography.)
I visited the Tokyo Eco Products convention the other day (2008/12/12) to be exact and naturally I headed straight for the Nikon booth where my gaze immediately fell upon this beauty: a Nikon D3 cut in half for all of our camera porn pleasures! For a technophile camera lover as myself, I was for once happy to be a foreigner in Japan: the staff politely ignored my feeble attempts to take a decent photo through the counter glass. I felt slightly incestous: a Nikon D60 photographing a crippled D3. Behold all the beauty that is Nikon technology! And pray that you never see anything like this again.
This is awesome. I’m definitely going to pick one of these up as soon as I can. I just need to figure out which diameter I want. (My lenses are 72mm, 58mm, and 52mm.)
You may think automatic white balance is good enough. But if you’ve ever had to fix dozens (or even 100s) of photos with just slightly different colors, one-by-one, you know the true meaning of pain.
The White Balance Lens Cap leaves you no excuse for not properly white-balancing every situation you encounter.
Simply flip your camera into custom White Balance mode, snap a photo with your White Balance Lens Cap on, and your camera creates a perfect profile of the actual lighting in front of you.
Best of all, unlike a gray card, the White Balance Cap takes no extra room in your gear bag. Just replace your existing lens cap with this one and you’ll always be able to white balance with no additional equipment.
Squeeze the White Balance Lens Cap’s side tabs for easy attachment or removal, even with a lens hood in place. The center pinch-release mechanism prevents it from accidentally being bumped off, while in your bag or shooting in a crowd.
Each White Balance Lens Cap comes with both a neutral and a warm color dome. Pick whichever you prefer and give all your photos perfectly consistent white balance.
Available for lens thread sizes 52mm, 55mm, 58mm, 62mm, 67mm, 72mm and 77mm. (Don’t know your thread size? Just check the outer rim or bottom of your lens for one of these numbers.)
Note: You may look a little silly setting your white balance by taking a photo with your lens cap still on, but the results are worth it. We promise.
via The White Balance Lens Cap at The Photojojo Store.
Pretty cool little guide from CameraHacker.com…
Ever since I started learning about photography, I have been fascinated with the art of pinhole photography. I always thought that the possibility of creating an image using the tiniest hole is amazing. If you are unfamiliar with pin-hole photography, see my related links section; I have added some links about pinhole photography for your wandering minds.
Despite my fascination, I have never involved myself with pinhole photography. I read about how to make a pinhole camera out of a 35mm film container. Although the process of making the camera is easy, loading and processing the film is extremely cumbersome. In fact, to use it, one frame of film has to be loaded in the dark, exposure has to be calculated, picture has to be exposed by uncovering the pinhole, pinhole has to be covered, and film has to be unloaded in the dark. All that work for a single exposed frame. But that is not the end, because the frame will have to be processed a personal darkroom, since it is extremely hard to find a place to process 35mm films one frame at a time.
I have always thought, “wouldn’t it be nice if I can have a pin-hole camera that has built-in exposure meter, uses 35mm film roll, and comes with auto film winder?” Then I can concentrate on creating pinhole art, instead of concentrating on the processing of creating pinhole art. After a few years (yes I am a tad slow) I thought, “wouldn’t it be nice if I can have a pin-hole lens on my EOS camera that has auto-exposure, uses standard 35mm film, and has automatic film winder.” Wow!
via Making a Pinhole Lens for SLR Cameras.
(You can pick up the whole book at Amazon here)
Fascinating camera from the 1960’s…
The Canon Dial 35 was an unconventional half-frame 35mm camera with clockwork automatic film advance. It was made in Japan by Canon from November 1963. The Dial 35 was also sold as the Bell & Howell Dial 35.
The body had an unusual “portrait” format rectangular shape, with a short, wide-diameter lens barrel containing the CdS meter photocells window around the 28mm lens. Rotating the lens barrel set the speed of the Seikosha shutter; the aperture was set automatically. A button below the viewfinder could be pulled out to give manual aperture control, for manual exposure settings or flash. Film speed was set on a scale around the meter window.
Focus was set on a lever around the top of the lens barrel, with a display inside the viewfinder.
There was a cylindrical handle at the bottom, which also wound the clockwork mechanism. On the (users) left is an accessory shoe. The film ran vertically, from the cassette at the top to the take-up spool at the bottom, giving a landscape-format 24x18mm frame when the camera is upright.
The 35-2 has a black nameplate at the top in place of the engraved name and a longer-lasting clockwork motor. Speed range is increased to 1000ASA, the meter uses a different battery and a hot shoe is added.
via Canon Dial 35 – Camerapedia.org.
More info here: http://web.comhem.se/~u87754955/canon-dial-35.html
(If you’re in search of the original manual, you can find it here: http://www.scribd.com/doc/2570932/Canon-Dial-352-manual)
I’ve always wondered what that sticker meant…
Hiro Matsu , Aug 09, 2006; 08:17 a.m.
Anyone recognize this sticker? Thanks.
James Lai , Aug 09, 2006; 08:44 a.m.
Yes, it is a quality control sticker from the Japan Camera Inspection Institute. The JCII was set up by the Japanese government and camera industry to ensure the quality of camera equipment exported from Japan. I don’t think they’ve put those stickers on cameras for several years now, and in the later years there were plenty of knock-off stickers floating around.
via Quality control sticker? – Photo.net Nikon Forum