This is the conference (and super session) I attended last week. It was really cool. =)
SD West 2008 For the second year in a row organizers at the Software Development Conference & Expo West felt the super sessions hosted by C++ legends Bjarne Stroustrup and Herb Sutter were worth some ink on the event agenda.
“There was a time in the late 1990s and early 2000s when they simply stopped advertising C++ sessions at this conference,” Sutter told attendees. “And yet they found a curious thing: every year for four years, C++ was the strongest track at the show. With zero advertising! That says something about the market. That says that there are problems that C++ is solving.”The duo offered the C++ crowd day-long sessions at SD West. In fact, a session presented last year (Concepts and generic programming in C++0x”) was back by popular demand, alongside an additional day of new material covering the design and evolution of the grandpappy of object-oriented programming languages.
Sutter is the author of several books on software development, a lead architect at Microsoft, chair of the ISO C++ standards committee, and coiner of the phrase “concurrency revolution.” Stroustrup is also an author, a professor of computer science at the Texas A&M University’s college of engineering, and a research fellow at AT&T Labs.
Of course, the Danish computer scientist is best known as the creator and original implementer of C++.
Stroustrup doesn’t like to hear his brainchild referred to as an object-oriented programming (OOP) language, though he allowed that its main contribution was to make OOP mainstream. “Before C++, 99.9 per cent of programmers never even heard of it OOP,” he said during a post-session Q&A. “Those who’d heard of it believed that it was only for slow graphics written by geniuses.”
If you’ve ever been sat at your desk, hard at work, trying to finish your report in time for that very important meeting with the Managing Director; you’ll know just how annoying it is to have the wacky office comedian come striding up to you in his Homer Simpson tie, wanting to play his new collection of stupid cell phone ringtones. Welcome to the dark and murky world of Office Etiquette.
I actually made a big etiquette faux pas at my new employer just this week. I was well-groomed, well-dressed and I was polite, pleasant and smiling as I greeted my new co-workers. But as I sat down after making myself a cup of tea, I couldn’t help but notice that everyone in the office was looking at me like I’d just murdered their cat. I’d committed a cardinal office sin: never, ever make a drink just for yourself.
So how do you know what the politics of your office are? Well, like the many different cultures and societies of other countries and continents, it varies from office to office. In England you could be hung, drawn and quartered for not making a round of tea for your colleagues. In Russia however, they’d be more upset if you forgot to slip a drop of vodka into their brew. For this very reason, we’ve created The Ultimate Office Etiquette Guide so that you never again make the mistake of taking a stapler without first asking for permission!
The following guest post on composition for portrait photography was submitted by Christina Dickson, a portrait photographer and photography instructor from Portland, Oregon. Her work can be seen at: www.christinanicholephotography.com.
1. Fill the frame with your subject
A portrait is about the person, so don’t be afraid to zoom in close! Remember that zooming in does not mean capturing only face shots. You can also capture “tight”, close up shots of your subject sitting on a stool or leaning into a tree.
2. Keep eyes in the upper third
This is the most natural spacing for a portrait. Try not to divert from this rule unless you are deliberately creating tension. Another exception of this rule is when a subject is full-bodied in the bottom third of the frame.
3. Use framing to concentrate all attention on your subject
Rather than eliminate the environment, use it! Doorways, arches, windows, gazebos are all creative solutions that allow for maximum subject focus and heightened visual interest.
(continued via digital Photography School)
What should a Photographer do when bad weather strikes? Peter Carey suggests 7 options and invites you to add your own.
I live in Washington State and it’s winter, which means it rainy and dreary most of the time, with some sun breaks. Right now the weather is telling me it’s a good day to build a fire and stay indoors. It’s a day where I just don’t feel like getting out to photograph, yet I still want to do something productive in the realm of photography. If the weather has you down and you just don’t feel like taking more pictures of your cat indoors, try out some of these suggestions to help when the sun starts to shine again.
1. Clean Your Gear
Admit it, you’re either a constant clean freak or you let things lapse. Most people fall into one of those general categories. If you are the former, then you may joyfully skip on to the next suggestion, but if you don’t clean your gear that often, now is a good time to give it the once and twice over.
Who would have guessed that when you remove Garfield from the Garfield comic strips, the result is an even better comic about schizophrenia, bipolor disorder, and the empty desperation of modern life? Friends, meet Jon Arbuckle. Let’s laugh and learn with him on a journey deep into the tortured mind of an isolated young everyman as he fights a losing battle against lonliness and methamphetamine addiction in a quiet American suburb.
(via garfield minus garfield)